#AREADATA
Name filler rooms2~
Builders Terraco-d~
VNUMs 4800 4899
Credits (null)~
Security 9
End
#MOBILES
#4898
Draco~
{MSayichia's {DPet {SSilver {RDragon{x~
{MSayichia's {DPet {SSilver {RDragon{D, he guards her with all the powers of {RHell{x
~
{DStanding a towering 50ft tall, this mighty beast follows {MSayichia{D
whereever she may roam. It is always at her side and guards her with
every ounce of {Revil{D it can muster. Fangs hang down from its jaws at-
least six-feet in length. Its claws are a massive 7ft long and his scales
are so thick, not even the strongest energy attack could pierce his
mighty hide. A very dangerous beast, it is wise not to tempt {MSayichia{D
to sick this ferocious monster on you.{x
~
dragon~
ABIRS JT -1000 0
1000000000000 1000
250 250 250 250 250
100 100
flame
0 0 0 0
FHIM 0 BEH FI
stand stand male 0
AHZ ACDEFGHIJKPQUVX (null) unknown
M ACT 4898 slap~
#4899
Spik~
A red dragon, wearing a a chain spiked collar~
A Red dragon that stands about 100 Ft high, WEaring a spiked collar with Sayichia's Pet ingraved on it
~
~
human~
AI 0 -1 0
0 0
10 10 10 10 10
100 100
none
0 0 0 0
0 A H 0
stand stand male 0
0 0 giant unknown
F for AHMV
F par ABCDEFGHIJK
#0
#OBJECTS
#4800
Dragon Pendant~
{DA {SSilver {RDragon {DPendant{x~
{DA {SSilver {RDragon {DPendant{x~
unknown~
1
armor ABX AC
EGIJOP EGIJOP EGIJOP EGIJOP 0
0 1 1000000000 P
#4801
chrome dchair~
chrome and ebony chair located behind the desk~
A chrome chair with ebony padding, stationed behind the desk~
unknown~
1
furniture 0 0
A 0 E 0 0
0 0 0 P
E
chair~
With grooved arms, a reclining back and hydrolic pressure rings,
the chair appears to be fashioned for perpetual, tedious hours
behind the desk.
~
E
chair~
With grooved arms, a reclining back and hydrolic pressure rings, the
chair appears to be fashioned for perpetual, tedious hours behind the desk.
~
E
chair~
With grooved arms, a reclining back and hydrolic pressure rings, the chair
appears to be fashioned for perpetual, tedious hours behind the desk.
~
E
dchair~
With grooved arms, a reclining back and hydrolic pressure rings, the chair
appears to be fashioned for perpetual, tedious hours behind the desk.
~
E
chrome~
With grooved arms, a reclining back and hydrolic pressure rings, the chair
appears to be fashioned for perpetual, tedious hours behind the desk.
~
E
chrome~
appears to be fashioned for perpetual, tedious hours behind the desk.
~
E
chrome~
With grooved arms, a reclining back and hydrolic pressure rings, the chair
appears to be fashioned for perpetual, tedious hours behind the desk.
~
#4802
desk granite angled~
an empty section of the desk~
An angled desk with a granite surface, bearing three monitors on one end~
unknown~
1
furniture 0 0
B 0 EG 0 0
0 0 0 P
E
desk~
Formatted at a one-hundred-and-forty-five-degree angle,
facing out to the room from the corner, the desk proves to be
a comforting, work-efficient and tactical advantage; on the angled
section of the desk, three computer monitors cover the surface, and two
keyboards fill the last of the gap. On its opposite end, the portion used for handling actual
face-to-face business; a neatly arranged stack of papers, laser- and regular pens, and
pencils are placed into an iron-grid cup. The latter section of the furniture's surface gives
an open view of the room, its monstrous fireplace, and the only exit within the quarters.
~
E
desk~
Formatted at a one-hundred-and-forty-five-degree angle, facing out to the room from the
corner, the desk proves to be a comforting, work-efficient and tactical advantage; on the
angled section of the desk, three computer monitors cover the surface, and two key-
boards fill the last of the gap. On its opposite end, the portion used for handling actual
face-to-face business; a neatly arranged stack of papers, laser- and regular pens, and
pencils are placed into an iron-grid cup. The latter section of the furniture's surface gives
an open view of the room, its monstrous fireplace, and the only exit within the quarters.
~
E
desk~
~
E
desk~
Formatted at a one-hundred-and-forty-five-degree angle, facing out to the
room from the corner, the desk proves to be a comforting, work-efficient and
tactical advantage; on the angled section of the desk, three computer
monitors cover the surface, and two key- boards fill the last of the gap.
On its opposite end, the portion used for handling actual face-to-face
business; a neatly arranged stack of papers, laser- and regular pens, and
pencils are placed into an iron-grid cup. The latter section of the
furniture's surface gives an open view of the room, its monstrous fireplace,
and the only exit within the quarters.
~
E
desk~
Formatted at a one-hundred-and-forty-five-degree angle, facing out to the
room from the corner, the desk proves to be a comforting, work-efficient and
tactical advantage; on the angled section of the desk, three computer moni-
tors cover the surface, and two keyboards fill the last of the gap. On its
opposite end, the portion used for handling actual face-to-face business; a
neatly arranged stack of papers, laser- and regular pens, and pencils are
placed into an iron-grid cup. The latter section of the furniture's surface gives
an open view of the room, its monstrous fireplace, and the only exit within
the quarters.
~
E
desk~
Formatted at a one-hundred-and-forty-five-degree angle, facing out to the
room from the corner, the desk proves to be a comforting, work-efficient and
tactical advantage; on the angled section of the desk, three computer moni-
tors cover the surface, and two keyboards fill the last of the gap. On its
opposite end, the portion used for handling actual face-to-face business; a
neatly arranged stack of papers, laser- and regular pens, and pencils are
placed into an iron-grid cup. The latter section of the furniture's surface
gives an open view of the room, its monstrous fireplace, and the only exit
within the quarters.
~
E
granite~
Formatted at a one-hundred-and-forty-five-degree angle, facing out to the
room from the corner, the desk proves to be a comforting, work-efficient and
tactical advantage; on the angled section of the desk, three computer moni-
tors cover the surface, and two keyboards fill the last of the gap. On its
opposite end, the portion used for handling actual face-to-face business; a
neatly arranged stack of papers, laser- and regular pens, and pencils are
placed into an iron-grid cup. The latter section of the furniture's surface
gives an open view of the room, its monstrous fireplace, and the only exit
within the quarters.
~
E
angled~
Formatted at a one-hundred-and-forty-five-degree angle, facing out to the
room from the corner, the desk proves to be a comforting, work-efficient and
tactical advantage; on the angled section of the desk, three computer moni-
tors cover the surface, and two keyboards fill the last of the gap. On its
opposite end, the portion used for handling actual face-to-face business; a
neatly arranged stack of papers, laser- and regular pens, and pencils are
placed into an iron-grid cup. The latter section of the furniture's surface
gives an open view of the room, its monstrous fireplace, and the only exit
within the quarters.
~
#4803
seat fashioned 1 blue-green plush~
the velvety cushion of an eloquently made loveseat~
A plush, sensationally-fashioned loveseat of dark, blue-green velvet~
unknown~
1
furniture 0 0
A 0 E 0 0
0 0 0 P
E
plush~
Deep bluish-green textures mirror velvet material, highlighting different tones
in specific lighting. This chair, almost the size of a loveseat, reveals comfort
and dedication in its creation, manifesting a dynamic ability to release the
pressure pent-up in joints and relax muscles.
~
E
plush~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, re-
veals comfort and dedication in its creation, manifesting a dynamic
ability to release the pressure pent-up in joints and relax muscles.
~
E
plush~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
chair~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
1~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
fashioned~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
seat~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
fashioned~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
1~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
1~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
blue-green~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
plush~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
#4804
insipid rug fur~
a great expanse of miraculously soft fur~
An insipid rug of dense fur~
unknown~
1
furniture 0 0
AC 0 EG 0 0
0 0 0 P
E
insipid~
Thick and wild, the fur becomes a metaphorical spread of grass, sinking
when pushed upon, and enveloping by affected strands of hair. Its size
appears to be roughly twenty-feet-by-fourteen-feet in its rugged circum-
ference; throughout its entirety it becomes obvious that it's one large piece,
not sewn together from multiple creatures. With precise examination, it
becomes palapble that the rug is merely corporeal to its original hide.
~
E
fur~
Thick and wild, the fur becomes a metaphorical spread of grass, sinking
when pushed upon, and enveloping by affected strands of hair. Its size
appears to be roughly twenty-feet-by-fourteen-feet in its rugged circum-
ference; throughout its entirety it becomes obvious that it's one large piece,
not sewn together from multiple creatures. With precise examination, it
becomes palapble that the rug is merely corporeal to its original hide.
~
E
rug~
Thick and wild, the fur becomes a metaphorical spread of grass, sinking
when pushed upon, and enveloping by affected strands of hair. Its size
appears to be roughly twenty-feet-by-fourteen-feet in its rugged circum-
ference; throughout its entirety it becomes obvious that it's one large piece,
not sewn together from multiple creatures. With precise examination, it
becomes palapble that the rug is merely corporeal to its original hide.
~
#4805
monolithic blanket bed~
a massive, comfortable bed that sinks upon being used~
A monolithic, fur-blanketed bed~
unknown~
1
furniture 0 0
C 0 EG BD 0
0 0 0 P
E
monolithic~
Low-set on a mattress that has no give between the bed and the floor itself,
the comfortable level zeniths at a nirvana of placidity. Blankets of wool-like
material cover the bed in a layered array, leaving the two monolithic pillows
open and welcoming.
~
E
blanket~
Low-set on a mattress that has no give between the bed and the floor itself,
the comfortable level zeniths at a nirvana of placidity. Blankets of wool-like
material cover the bed in a layered array, leaving the two monolithic pillows
open and welcoming.
~
E
bed~
Low-set on a mattress that has no give between the bed and the floor itself,
the comfortable level zeniths at a nirvana of placidity. Blankets of wool-like
material cover the bed in a layered array, leaving the two monolithic pillows
open and welcoming.
~
#4806
roaring fire erratic meniscus~
a roaring fire within an erratic meniscus in the rockface~
A roaring fire within an erratic meniscus in the rockface~
unknown~
1
trash 0 0
0 0 0 0 0
0 0 0 P
E
roaring~
Unkempt flames roil, tossing and turning within the natural hearth, blazing
with an insignia of past remembrance. The rockface holds a rugged appear-
ance, as it moves out into the room obtrusively before sinking back at a
sharp angle, where the fire is held. The meniscus, crescent, in the wall
bears a dynamic explosion of depth and superiority, expanding the berth
retrogressively as well as across. The further back the eye can see, the
more flames and dancing lights can be perceived. Tantalizing and alluring
as it may appear, one could possibly get lost for hours in sporadic thought
when gazing within these multi-colored flames of uncanny longevity.
~
E
fire~
Unkempt flames roil, tossing and turning within the natural hearth, blazing
with an insignia of past remembrance. The rockface holds a rugged appear-
ance, as it moves out into the room obtrusively before sinking back at a
sharp angle, where the fire is held. The meniscus, crescent, in the wall
bears a dynamic explosion of depth and superiority, expanding the berth
retrogressively as well as across. The further back the eye can see, the
more flames and dancing lights can be perceived. Tantalizing and alluring
as it may appear, one could possibly get lost for hours in sporadic thought
when gazing within these multi-colored flames of uncanny longevity.
~
E
meniscus~
Unkempt flames roil, tossing and turning within the natural hearth, blazing
with an insignia of past remembrance. The rockface holds a rugged appear-
ance, as it moves out into the room obtrusively before sinking back at a
sharp angle, where the fire is held. The meniscus, crescent, in the wall
bears a dynamic explosion of depth and superiority, expanding the berth
retrogressively as well as across. The further back the eye can see, the
more flames and dancing lights can be perceived. Tantalizing and alluring
as it may appear, one could possibly get lost for hours in sporadic thought
when gazing within these multi-colored flames of uncanny longevity.
~
E
erratic~
Unkempt flames roil, tossing and turning within the natural hearth, blazing
with an insignia of past remembrance. The rockface holds a rugged appear-
ance, as it moves out into the room obtrusively before sinking back at a
sharp angle, where the fire is held. The meniscus, crescent, in the wall
bears a dynamic explosion of depth and superiority, expanding the berth
retrogressively as well as across. The further back the eye can see, the
more flames and dancing lights can be perceived. Tantalizing and alluring
as it may appear, one could possibly get lost for hours in sporadic thought
when gazing within these multi-colored flames of uncanny longevity.
~
#4807
rul'modhae coffee panel~
a panel marked Rul'Modhae~
An electronical panel titled "Rul'Modhae" in a soft blue glow~
unknown~
1
fountain 0 0
-1 1 'coffee' 0 0
0 0 0 P
E
rul'modhae~
Chrome with bluish tones grant the image of metallic crystal, each swirl
made from a finely utilized torch. One meniscus ahs its pattern distorted by
an opening with a glass screen. The mechanics reveal its ability to retract
the transparent cover; the interior is adorned with both a rotary disc with
numerous nozzles, and a tray with a circular groove in its center. Across
the upper portion of the panel, words of another dialect are written, stating,
"Rul'Modhae" in an eloquent manner while glowing a gentle neon blue.
~
E
coffee~
Chrome with bluish tones grant the image of metallic crystal, each swirl
made from a finely utilized torch. One meniscus ahs its pattern distorted by
an opening with a glass screen. The mechanics reveal its ability to retract
the transparent cover; the interior is adorned with both a rotary disc with
numerous nozzles, and a tray with a circular groove in its center. Across
the upper portion of the panel, words of another dialect are written, stating,
"Rul'Modhae" in an eloquent manner while glowing a gentle neon blue.
~
E
panel~
Chrome with bluish tones grant the image of metallic crystal, each swirl
made from a finely utilized torch. One meniscus ahs its pattern distorted by
an opening with a glass screen. The mechanics reveal its ability to retract
the transparent cover; the interior is adorned with both a rotary disc with
numerous nozzles, and a tray with a circular groove in its center. Across
the upper portion of the panel, words of another dialect are written, stating,
"Rul'Modhae" in an eloquent manner while glowing a gentle neon blue.
~
#4808
plush fashioned seat 2 indigo~
the velvety cushion of an eloquently made loveseat~
A plush, sensationally-fashioned loveseat of indigo velvet~
unknown~
1
furniture 0 0
A 0 E 0 0
0 0 0 P
E
plush~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
fashioned~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
seat~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
2~
Deep bluish-green textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
indigo~
Deep blue-violet textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
seat~
Deep blue-violet textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
plush~
Deep blue-violet textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
2~
Deep blue-violet textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
E
fashioned~
Deep blue-violet textures mirror velvet material, highlighting different
tones in specific lighting. This chair, almost the size of a loveseat, reveals
comfort and dedication in its creation, manifesting a dynamic ability to
release the pressure pent-up in joints and relax muscles.
~
#4809
Chair of Kube~
{CA {DBlack{C Lazy Boy Recliner{x~
{CA {DBlack{C Lazy Boy Recliner{x~
unknown~
1
furniture 0 0
A 0 EFHI DFGHIJ DFGHIJ
0 0 0 P
#4895
Table Board~
{DA {yLarge {rMeeting {DTable{X~
{DA {yLarge {rMeeting {DTable sits here before you.{X~
unknown~
2147483647
furniture 0 0
BD ABCDEFGHIJKLMNOPQRSTUVWXYZabcde D 0 0
0 0 0 P
#4896
desk~
{DA large {yOak {dDesk{X~
{DA large {yOak {dDesk {Dwith the name '{rNesoiak{D' scratched on sits here.{X~
unknown~
100300230
furniture 0 0
A HJKMPTUX DEP 0 0
0 0 0 P
#4897
table coffee~
a smallish coffee table~
A smallish coffee table~
unknown~
1
container 0 0
10000000 E 0 10000000 0
0 0 0 P
#4898
cups~
a cup with a {Rred dragon{x logo upon it~
A cup with a {Rred dragon{x logo upon it lays here~
unknown~
100000000
drink 0 A
10000 0 'coffee' 0 0
0 0 0 P
O GET 4898 100~
#4899
coffee machine~
a coffee maker~
A brand name coffee maker~
unknown~
1
fountain 0 0
-1 1 'coffee' 0 0
1 1 1 P
#0
#ROOMS
#4800
Road to South City~
The road heading south seems to be be well kept up and paved. There is a
set of yellow lines going down the center of it. The Pavement seems to end
here as the shore has become too soft to sustain something so heavy. The
black pavment seems to give off heat as the sun beats down on it in the
daylight but seems cooler as night rolls on. There isn't much traffic on
this road yet it seems to have been used well by the look of the ruts going
down each side of the faded yellow line.
~
0 0 0
D0
~
~
0 0 1728
D2
~
~
0 0 4801
S
#4801
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4800
D2
~
~
0 0 4802
S
#4802
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4801
D2
~
~
0 0 4803
S
#4803
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4802
D2
~
~
0 0 4804
S
#4804
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4803
D2
~
~
0 0 4805
S
#4805
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4804
D1
~
~
0 0 4806
S
#4806
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D1
~
~
0 0 4807
D3
~
~
0 0 4805
S
#4807
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D1
~
~
0 0 4808
D3
~
~
0 0 4806
S
#4808
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D1
~
~
0 0 4809
D3
~
~
0 0 4807
S
#4809
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D1
~
~
0 0 4810
D3
~
~
0 0 4808
S
#4810
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D2
~
~
0 0 4811
D3
~
~
0 0 4809
S
#4811
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4810
D2
~
~
0 0 4812
S
#4812
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4811
D2
~
~
0 0 4813
S
#4813
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4812
D2
~
~
0 0 4814
S
#4814
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4813
D1
~
~
0 0 4815
S
#4815
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D1
~
~
0 0 4816
D3
~
~
0 0 4814
S
#4816
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D2
~
~
0 0 4817
D3
~
~
0 0 4815
S
#4817
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4816
D2
~
~
0 0 4818
S
#4818
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4817
D2
~
~
0 0 4819
S
#4819
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4818
D2
~
~
0 0 4820
S
#4820
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4819
D2
~
~
0 0 4821
S
#4821
Road to South City~
The road heading south seems to be be well kept up and paved. There is
a set of yellow lines going down the center of it. The black pavment seems
off heat as the sun beats down on it in the daylight but seems cooler as
rolls on. There isn't much traffic on this road yet it seems to have been
used well by the look of the ruts going down each side of the faded yellow
line.
~
0 0 0
D0
~
~
0 0 4820
D2
~
~
0 0 2500
S
#4896
{WNesoiak's {COff{cice{X~
{DYou find your self in a large {Wwhite{D room. You notice that there is
a unknown {ylight{D source emmiting from the cealing. It only {ylights {Dan
area that appears to be the center of the room. In this area, you notice a
long board room style table that reaches out into the {ddarkness. {D On the
table you see multiple folders resting in the center. {X
~
0 0 0
D3
~
~
0 0 4899
S
#4897
RP IMM Meeting Hall~
~
0 0 0
D2
~
~
0 0 4899
S
#4898
Chronological Forgottence~
Pass Admittance. A metallic substance stretches away from the electronic
door. An unadorned rug, plush and varying in textures of brown before the
ever-burning fire, which resides in a mishmash hearth of granite. The
walls, ridged without any true geometric shape, are a conglomeration of
cyber-electronics and graphite; a cave-like grotto lost in neanderthalic
diversity, though bearing a past of technological advancement. As a whole,
the area itself cannot be depicted from its natural or deliberate setting.
~
0 0 0
D1
~
~
0 0 4899
S
#4899
Sayichia's Office~
{DStanding in the office of {mSayichia{D, a warm feeling engulfs
the room. The walls are covered in {rDragons{D of all different sizes
and colors. Some are {YYellow{D with huge razor sharp fangs dripped
in {rblood{D. Some are {rRed{D with {rFire{D shooting from their mouthes at
{cinnocent{D victims in their {rclaws{D. The room gives off a certain
sort of {CAura{D that drips into your {bsoul{D. In the center of the
room is an antique desk covered in the scales of a {rDragon{D.{x
~
0 4 0
D0
~
~
0 0 4897
D1
~
~
0 0 4896
D3
~
~
0 0 4898
S
#0
#SPECIALS
S
#RESETS
O 0 4896 0 4896 {da large {yoak {ddesk{x loaded to {WNesoiak's {COff{cice{X
O 0 4895 0 4896 {da {ylarge {rmeeting {dtable{x loaded to {WNesoiak's {COff{cice{X
O 0 4897 0 4899 A smallish coffee table loaded to Sayichia's Office
O 0 4898 0 4899 A cup with a {rred dragon{x logo upon it loaded to Sayichia's Office
O 0 4899 0 4899 A coffee maker loaded to Sayichia's Office
O 0 1920 0 4899 A chocolate milk fountain loaded to Sayichia's Office
O 0 4613 0 4899 {da {rdragon scale{d designed desk with "{msayichia{d" written on it{x loaded to Sayichia's Office
O 0 4612 0 4899 {da rather large futon with a {rdragon {ddesign on it{x loaded to Sayichia's Office
M 0 4898 1 4899 1 Load {MSayichia's {DPet {SSilver {RDragon{x
S
#SHOPS
0
#MOBPROGS
#4898
growl
~
#0
#OBJPROGS
#4898
obj echo $I glows in a dark red aura.
~
#0
#ROOMPROGS
#0
#$